Magic Flight Launch Box
March 29th, 2012
The Magic Flight Launch Box is a small portable vaporizer that anyone can use anywhere, anytime. The Launch Box uses one re-chargeable battery as its power source so it’s easy to travel with. The Magic Flight Launch Box includes a pocket vaporizer, a draw
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The North American novel in the United States: Ishmael Reed’s Canada.(analysis of Reed’s book, Flight to Canada): An article from: American Review of Canadian Studies
March 20th, 2012This digital document is an article from American Review of Canadian Studies, published by Association for Canadian Studies in the United States on September 22, 1996. The length of the article is 4979 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
Citation Details
Title: The North American novel in the United States: Ishmael Reed’s Canada.(analysis of Reed’s book, Flight to Canada)
Author: Jean-Francois Cote
Publication: American Review of Canadian Studies (Refereed)
Date: September 22, 1996
Publisher: Association for Canadian Studies in the United States
Volume: 26 Issue: 3 Page: 469(12)
Distributed by Thomson Gale
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Scholar
March 7th, 2012
Cold Steel True Flight Thrower Paracord Wrapped Handle (Sheath)
February 1st, 2012
The Cold Steel True Flight Thrower beats the competition by a wide margin. For strength, we use 1055 carbon steel and finish it with a black, baked-on protective coat. This makes for a hard, yet resilient blade that will “bounce-back” from any throw. And for versatility, the True Flight Thrower has a utility edge that will stand-up to your toughest chores.
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“Strange, history. Complicated, too”: Ishmael Reed’s use of African-American history in ‘Flight to Canada.’: An article from: The Mississippi Quarterly
January 21st, 2012This digital document is an article from The Mississippi Quarterly, published by Mississippi State University on September 22, 1996. The length of the article is 4846 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
From the supplier: Ishmael Reed’s ‘Flight to Canada’ is an improvisation and rearrangement of African-American history and depends on the thought of William Wells Brown, one of the best-known authors of ante-bellum slave narratives. Reed’s emphasis on the literary strategy of anachronism and his belief in Neo Hoo-Doo recall Brown’s, as does his lack of faith in Canada. Both refuse to allow themselves to be limited by historical fact, although Reed adheres to the spirit of slave narratives.
Citation Details
Title: “Strange, history. Complicated, too”: Ishmael Reed’s use of African-American history in ‘Flight to Canada.’
Author: Matthew R. Davis
Publication: The Mississippi Quarterly (Refereed)
Date: September 22, 1996
Publisher: Mississippi State University
Volume: v49 Issue: n4 Page: p743(11)
Distributed by Thomson Gale
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Flight to Canada
January 7th, 2012
Brilliantly portrayed by a novelist with “a talent for hyperbole and downright yarning unequaled since Mark Twain”, (Saturday Review), this slave’s-eye view of the Civil War exposes America’s racial foibles of the past and present with uninhibited humor and panache.
Mixing history, fantasy, political reality, and comedy, Ishmael Reed spins the tale of three runaway slaves and the master determined to catch them. His on-target parody of fugitive slave narratives and other literary forms includes a hero who boards a jet bound for Canada; Abraham Lincoln waltzing through slave quarters to the tune of “Hello, Dolly”; and a plantation mistress entranced by TV’s “Beecher Hour”. Filled with insights into the political consciences (or lack thereof) of both blacks and whites, Flight to Canada confirms Reed’s status as “a great writer” (James Baldwin).
“A demonized Uncle Tom’s Cabin, a book that reinvents the particulars of slavery in America with comic rage”. — The New York Times Book Review
“Wears the mantle of Baldwin and Ellison like a high-powered Flip Wilson in drag…a terrifically funny book”. — Baltimore Sun
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